At Zipingpu Ferry,
the news photographer snapped
them escaping the earthquake in Sichuan:
the man with a face you long to turn away from,
a landscape seared and flooded with grief. He’s wailing
some words you in your safe house cannot think of, the dirty
jacket he’s wearing is all he brought away, except for the girlchild
asleep on his breast. Her face, though streaked with grime, is cherubic,
the cheek sweet as a cup of milk and you thank Heaven she has at last,
exhausted, turned her back on the broken world. The smooth and
central magic of the picture — of our world — is in the delicate cup
of her hand: a blush-brown egg — the one thing she has
held onto, even in sleep. Its weight and curve are a
world still unbroken, where plenty was daily,
nested safe in her pocket. Now it’s a meal
or a memory or — if she can keep it
warm enough long enough —
a future
One Thing
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